Hellström Reimer, Maria
- Department of Landscape Architecture, Planning and Management, Swedish University of Agricultural Sciences
Hellström, Maria
Today, an increasingly tense political climate raises new questions as for the referent and role of ‘urban space’. An imperative rather than a representation, the concept of ‘city’ evokes so much more than architectonic order; it gives rise to commercial or relational expectations, prospects of citizenship, social mobility, empowerment and change – shortly, to the concrete, yet incoherent dimension of ‘everyday life’; a large and unrestrained (urban) body of intermediation. Therefore, an enquiry into contemporary urban space has to actualize not only the representative outcome – the physical structure – but also the mediating regimes, or power structures, upon which it depends. One such regime is film production. In this paper, I will focus on the performative rather than the representational aspects of filmic agency in urban space. I will argue that the representational mutuality between city and cinema has its performative correspondence in the reciprocity between panoptic CCTV actualizations of power aiming at a ‘closure’ of representative circuits and the counter-actualizations of, on the one hand the cinéma verité attempts to conflate cinema with ‘true’ reality, and on the other hand alternative attempts to develop a cinematic situationism of curiosity and reconfiguration. The relationship will be exemplified through an analysis of the films “I am Curious – Yellow” (1967) and “I am Curious – Blue” (1968) by Swedish director Vilgot Sjöman – films that in a provocative way examined the topology of the cinematic performance. Fuelled by a composite political and erotic desire, the films presented a blatant and self-reflective counter-actualizing of the regimes of social mobility and utterability organizing urban space
Power and Space - Transforming the Contemporary City
https://res.slu.se/id/publ/17438